Everyone Has to Cooperate: Nationalism and Victimhood in Grave of the Fireflies

Isao Takahata’s tragic and poetic Grave of the Fireflies (Hotaru no haka) is a war film detached from the heat of battle, focused on innocent people living in war-torn cities. The film is a warning that bullets and bombs are not the only deadly forces in wartime; even among apparently innocent victims, blind patriotism and selfishness wield an equal capacity for killing.

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